More from No Straight Lines.
Following my recent post showcasing the ‘No Straight Lines’ exhibit that formed part of the Alchemy Festival, here’s a few more examples that were on display. This time the glyphs derive from the Roman character set, but the forms are more delicate and exhibit organic elements. Quite a contrast to the Geometric San Serif qualities of the letters based on a hybrid of the Sinhala and Tamil writing systems.
There’s more detail on the work in general at dropr.com/aodgraphicdesign, while a summary of No Straight Lines can be found on the South Bank Centre’s website.